It blossomed in the spotlight of the international stage and after the six-month party, continued to grow into a modern, cosmopolitan city – and has never looked back.
There are many other souvenirs of Expo scattered around the city, not least of them being the white sculptures outside the Department of Primary Industries building at the George Street end of Ann Street.
Called “The Drovers” the five lifelike human forms around their billy boiling on a camp fire, are a piece of rural Australiana right in the middle of the city.
Until my Quebec visitor asked “what’s a drover?” I hadn’t stopped to think that this quintessential Australian worker and personification of our bush heritage may not be instantly recognizable everywhere.
“Someone who drove herds of cattle and sheep through the Outback … a sort of Australian Rawhide,” I jabbered before turning it over to the great bush poet Henry Lawson, and a quote from the school reader:
“Our Andy’s gone to battle now ‘gainst drought, the red marauder;
Our Andy’s gone with cattle now, across the Queensland border.
He’s left us in dejection now; our hearts with him are roving.
It’s dull on this selection now, since Andy went a-droving.”
A more appropriate description is provided on site:
“One of the greatest successes of World Expo 88’s streetscapes was a series of compelling white sculptures called The Human Factor.
“The figures featured in The Drovers are five of almost 80 used in the series which portrayed people in everyday situations, all frozen in time, capturing the essence of life in Australia.
“Originally created in fibreglass, many of these sculptures were purchased at the end of Expo 88.
“In 2005, the Drovers was recreated in cast aluminium.
“This preserves these important monuments, which remind the people of Brisbane how much Expo 88 contributed to our city’s growth.”